Since finishing module one, I have continued to think about
the course over the summer and in that time experienced new events within my
professional field that I feel could contribute to the work being pursued in
the weeks to come. After signing with a new agency a couple of months ago I
have had the opportunity to audition for productions that I had no means of
prior, one of which being a West End show. This particular audition was
something a revelatory experience for me but, at the same time, one I knew the
outcome of all the while. I had something of a mental block about auditioning
for West End productions. That they were the ‘crème de menthe’ for a performer
to be partaking in and required an above average level of preparation, more so
than any other audition. I had conjured visions of candidates singing and
dancing in the theatre space that some of them would later be performing in two
months or so down the line once they had landed the job. I think these ideas
had spawned out of fantasy because my actual experience could have been
mistaken for any other audition I had attended in the past. This feeling of
anxiety, of treating the event above other of its kind evaporated as soon as I
entered the space in which it took place, in this case a dance studio. And then
two hours later, it was over.
To bring this story back to my preoccupation with the new
module, I feel that this particular experience and its unfolding were not only
formed by my own preconceived ideals but also a product of influence via my
college training. This isn’t to be mistaken as a cry for help and that my
college brainwashed or scare mongered me into this thinking. The belief was
instilled that every audition must be treated and received with the upmost
preparation. Perhaps it was because West End and touring productions were often
used as examples when tutors referenced auditions and made me as a student feel
like it existed on a plateau above other mediums of performance employment. I’m
sure this was not the intent of all tutors and, in fact, a part was my own
naivety at play. It does, however, present a question worthy of discussion; how
does environment inform my professional practice? From what I have read of the
handbook, this second module is about taking what we have learnt thus far and using
it as a platform for developing a further understanding. If the first module
was encouraging an awareness and critical thinking when analysing my
professional practice, this new one looks to use extended theories to promote a
more focused view into potential lines of inquiry. I must engage with all
possible ideas either existing or yet to be developed, unpack and investigate
all aspects of a proposed question before assessing if it is indeed valuable to
pursue and take into the third module, not only for myself but its usefulness
to other individuals on the BAPP course and anyone else working within the same
professional field. I will be following this up in the first part of this
module i.e. part four.
The last point made about finding significance in a potential
line of inquiry for others outside of my own is one I will be constantly
referring back to whilst progressing through this module. If module one was cultivating
the ability to use tools including information technology, reflection and
networking in assessing my own professional practice, module two looks to
implement the same but with a thinking as to its relevance amongst other peers.
I was unfortunate to miss the introductory orientation Skype sessions preceding
the start date, so I was therefore keen to participate in the new platform
being utilised for the course which works in tandem with goals as
aforementioned; the ‘BAPP Arts Meeting Room’ via Adobe Connect (Breeze). Set up
by Paula and Adesola prior to the study period commencing, the software works
like a Skype session but with the added factor that presentation similar to
that of Microsoft PowerPoint can be shared and viewed not only by Paula and
Adesola as tutors, but us as students should we ever feel we can contribute to
a discussion or topic. Entire presentations can be uploaded and edited within
sessions. This style of a consumer/creator relationship plays very much like an
online classroom, an excellent mode for instigating course activities.
The session was attended by Paula, Ellie and I. It was
wonderful to connect with them and hear of their activities over the summer
period. Unfortunately, I experienced some technical difficulties with the
program which took me out of the session halfway through. These are errors that
I am looking to address before the next one occurs. After the session concluded,
I had a Skype conversation with Paula in which she filled me in on all
information I missed. We spoke on ways in which to fall back into study and
approaching the reader for the first part of this module. Since then, I have
taken the time to examine it and have found many interesting theories that
relate to questions for possible inquiry. I will, however, save dissection of
these for my task posts. For now, I am enthused to be continuing my exploration
and, unlike last study period, starting the new module with a few extra weeks
in hand to allow for an increased and more thought-out plan in my studies.
Thanks Tom - great to see you in person at the campus session as well - getting together takes time - but it sounds like it has helped with your thinking through Module 2 - look forward to more blogs about your inquiry. Please come onto my blog to add some comments about the session!
ReplyDeleteThanks for your comments, Paula. Yes, likewise, it was great to see yourself and other fellow BAPPers. I definitely feel a lot more zoned in on the module since partaking in both sessions and feel some of the ideas we discussed have helped inform my task work that will be up on my blog soon. And yes, thank you for reminding me. I will see if I can add anything of value regarding the session.
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